Erminardi:

LE-1 is a Loudness Enhancer.
I’ve built this for my own needs, but if U find it useful, take it for free 
It’s not formally a classic compressor and not a classic EQ, it’s a “signal fattener” with “eq” controls for high and low band plus a tube warmer.
I’ve built it for invigorate my “poor & constipated” native soft synthesizers (FM7, and some freeware). It’s calibrated in my own taste.
Try it also with standard Creamware synths like Uknow, Saturn or Miniscope, or try with voice recording and (with carefulness) with some poor MP3 songs (warning, maximized mix and/or higher pot levels can reach some unwanted distortion).

If U find some bugs and if U have some opinion, please let me know 

Enjoy =)

Dropout - www.cactusound.com

sound(at)cactusound.com

Higens Comment:   After browsing the device section i came over Beatz synth, and by listening to the demo i got very excited!  i havent had the time to install it my self yet! but i sure will!

Listen for your self!  Thanks to Brazda lui Novac from the planetz for the demo! (presets used can be found here: http://forums.planetz.com/viewtopic.php?f=13t=25866 )

Jah Servant:

Ok, here’s the full release, lotsa controls for you to play with.
Gotta thank Brazda lui Novac for all the assistance and testing.
Knobz by Shroomz.

This is an analog style drum machine, kick, snare, hihat and 3 percussions.
Anywhere you see DK, understand it’s “decay” (before somebody asks “what does DK stand for?”)
Mod, Mod DK and Slope all work together, slope is the slope of the Mod decay.
DK Slp, is the slope for the amp env decay.
Trigger notes are GM midi, percussion’s are on tom notes F1, G1 and A1.
The 2 tone and vol controls for the hihat are for 2 different filters, 1 is HPF and 2 is BPF so you can mix and match them as wanted.
I had a pan control but figured it wasn’t that necessary and turned it into the DK Slope control because I had no room left to add it to the gui for the kick and hihat and I didn’t want to shift everything around. I’m sure most will use the separate outputs anyways so the pan is kind of useless.
I’m not sure how to post a screenshot, if somebody could assist in that please? (and how do you post a screenshot?)

Enjoy,
Mark

Modulation device totally unique for the Scope platform!  I have not tested this device (yet).  But there seems to be two different please  any review are welcome!

Some quotes from planetz:

Thank you very much, Martin !!!  
I tried the FLU_LIQ with the guitar for a while, and I can assure you, 
this is the best I´ve had since the Electro Harmonix ´s Electric Mistress, way back in in the mid-seventies, and not near as noisy as the Mistress. 
In fact, it´s possible to make an almost exact copy of the Mistress´s sound, minus the noice, wich I don´t miss. 
Great work, Martin !!

I forgot about trying to create a Liquid effect long ago as phasers and flangers and chorus always introduce artifacts that I wasn’t seeking. 
I know this is what I have yearned for years ago.  
I use to try a slow phaser on a rotary, you name it, and could never get it. 
This has to be the one that escaped me, but was captured by you. 
You have made so many nice things that work really well, but you hit this one out of the park IMO.

16 stereo / 16 mono channel mixer.
on/off dsp switches for all channels -> minimal dsp usage
per channel:
preAmp
1 x pre-eq insert
4-way eq (accessible via channel number/edit button):
-low eq: lowCut2, lowcut4 or lowshelve
-lowMid eq: bp, lowshelve or paramEq
-highMid eq: bp, hiShelve or paramEq
-high eq: highCut2,4 or hiShelve
4 x aux
2 x inserts
pan
mute
solo
4 x bus
selectable channel colors + editable names
VUs:
-after preAmp
-after mixer channel fader

download: here

Here follows BCR2000 templates for controlling your Noah Synths!  all credits go to Hurolura!

Finally here it is for you all: my first SDK synth plug-in.

Thanks to all the kind people who help me in any way to set this one up and running and especially:
- Neutron for his “public” project which help me much to understand synth construction under scope SDK
- ShroomZ for his smart GUI elements
- all the people who were so kind to beta test it for me and especially
- my french speaking friends from MaoMusique (JoyLulu, CWAudio, Gustav and Reidid other there) and provide me a first bunch of presets (52 until now which would be released other there as soosn as I get a full 128 presets)
- irrelevance, hifiboom, Johannis, scope4live, breitner and JLS who tested it and provide me a second bunch of preset (30 until now provided by Breitner and JLS). The feedback I had so far just gave me more hints on how to enhance the plug. I finally decide that it would not be further modified to keep preset compatibility and take the enhancement request for one of the next plug (maybe an advanced version of the OSS 107).

Not that much new but thought to be remote with a hardware midi BCR 2000 controller (other could also work, template provided for both BCR 2000 and BCF 2000).

This one is just designed to be a small and simple not so DSP hungry analog like synth.

In the package you will find:
- my first set of presets for this plug (a 58 preset bank)
- a manual in english and french.
- BCR 2000 and BCF 2000 templates

Merry ChristmaZ to you all

CheerZ

HUROLURA

CAN CONTROL v1.0 - Crossfeed EQ headphone monitoring aid

Thanks to all the beta testers for your time & for the high level of feedback. The only significant change since the last beta release is the addition of separate L & R input mutes for setting up the device. These mutes are not included in presets because they don’t need to be.

Please feel free to share your presets here since I’ve opted to release it without any, but be aware that when using someone’s preset, you may well have to tweak the device to your own preference even if using the same monitor speakers & cans/phones as they are. That shouldn’t be an issue though, as you’ll need to set the device up for yourself anyway whether starting from a preset or not.

Cheers,
~Mark

Quick Start Guide :-

1. - Connect CAN CONTROL in line before your headphone monitoring output.
2. Turn the CAN CONTROL master volume level down low.
3. Play some music. Pink Floyd’s ‘Dark side of the moon’ is a good example of music that benefits from crossfeed, but there are many others (most infact).
4. Turn the master volume back up to a listening level that you’re happy with.
5. Mute the left (L) or right (R) hand side with the mute buttons at the top corners of the green window so that you’re only listening to one side.
6. Switch on & off the crossfeed with the round black button labeled ‘X’ or by clicking the x-feed on/off switches in the green window.
7. Play with the ‘High Loss F’ (frequency) and ‘High Loss G’ (gain) & ‘Delay’ parameters to adjust to your own head for a sound coming at an angle in front which sounds as close as possible to what you hear from your monitor speaker on that side instead of inside your head like you would normally hear on your headphones (especially closed back types). You won’t hear any difference with a mono record, but for sounds recorded only on one channel & in between, you should get a significant effect that gives a sense of some extra space.
8. Adjust the crossfeed gain (X Gain) and left/right gain (LR Gain) parameters if necessary.
9. Switch the muted channel back on, so that you’re now listening to both left and right hand sides.
10. Adjust master EQ section parameters if necessary. You may find the need to cut bass frequencies between 250-500Hz by 1 to 2dB using the Low Shelf, but in some cases you may not! It’s a balance of what you’re monitoring & personal taste.
11. Use your ears and some trial & error adjusting and listening to different types of music, saving yourself some presets with settings you’re happy with as you go.
12. If you wish to get technical in setting up CAN CONTROL you can follow some of the procedures above using sine waves or filtered pink noise, but you have to submit pictures to this thread of you wearing your lab coat.

That should be enough to get you started. When I have time I’ll write something more in-depth if there’s a demand.

~Mark

Dance is a poly synth with lots of options to create virus,profet v etc sounds it is designedvery simple to produce very fast sounds of old school and new floor music 3 psychedelic so thats why i named it like so ..

nice fetures : sync , 3 osc , 4 filters + comb , preset is changing inserts.

my suggestion is to set the polyphony to 4 like a korg monopoly

www.fmpsycho.co.cc

virus (-) is a minus vertion of the virus A still Haz a nice sound to it

• one oscillator – Saw,Square,sine and triangle
• multimode filter
• vibreto
• insert effect

first presetlist on me

www.fmpsycho.co.cc